This most recent series of work uses abstraction to represent concepts such as movement, abandon, consciousness (and oblivion), conception, obscurity and cycles. I spend many hours with each piece, drawing mostly from intuition while maintaining an awareness of the dynamic relationship I am intending to facilitate between the painting and the viewer. Applying layers is a fundamental component of each creation for it mimics the dimension of existence. The synthesis of beeswax and paint begs for a more intense study of the stratum. “That’s it”, she says. “Come closer”.
No comments:
Post a Comment